Audrey Nuna’s Path to a Major Label Deal with Her Manager/Producer... Nu Deco Ensemble Orchestra is Changing the Classical World. Soundrop is technically located in the CD Baby building, but the services are completely separate and Pony mentioned that he doesn’t really talk to the CD Baby people very much. They said it just wasn’t possible. CD Baby has been paying artists weekly for more than 20 years. The best part? UnitedMasters was founded by industry big wig. CD Baby was paying out 91% of the money –. Originally founded in 2006 by Jorge Brea, Symphonic has grown to distribute over 50,000 artists. This is a distribution comparison, not a full review of these companies. Steve told me that “mobile phones changed everything” in India and China. Songtradr started as a sync licensing service. I haven’t heard of many complaints from their artists. Ditto Music is run by co-founders, co-CEOs, co-brothers, Lee and Matt Parsons. The Ultimate Music Distribution Comparison List 2019. admin. Upstream means that, because UMG can see all the Spinnup data they can jump on an artist that starts to catch and sign them. The Orchard is owned by Sony and INgrooves is owned by Universal. They have since evolved and now offer a “Pro” version which costs $60/yr with many more features and now also have a desktop version of the service. 2020 has been rough for CD Baby (from the artist’s point of view). Ditto Music is one of the companies that threatened to sue me. If Spotify indicated that a song earned $.007 for a stream in the US from a premium subscriber, and $.0008 for a stream in India from an ad-supported account, CD Baby, didn’t pay these rates out to their artists. If you don’t mind the 15% commission, you can distribute unlimited songs for free (without having to go through an acceptance process). It’s under the Universal Music Group (UMG) arm and is meant to discover emerging talent to potentially ‘upstream’ to UMG. Digital Service Provider, which is the generic term for streaming and download platforms like Spotify, Apple Music, Deezer, Google Play, Amazon Music, et al. Here's a list of the best music distribution services around the world to help you make the best decision for you and your career. I’m keeping this review updated and any time a company lets me know their changes or I hear from you that something has changed at one of these companies, I update the report. It’s hilarious. AWAL claims to offer Spotify playlist plugging support. And, some distributors are moving into “label services” territory. Music Business Worldwide wrote that Nick was “pivotal to the company’s client and technology growth that led to its acquisition by Sony Music.” He maintains an independent ethos and has a deep understanding of the services indie artists need to compete in a big way. Don R. Really a great platform! Some work directly with artists and they take around a 20% commission for it. Removals taking months. You can, however, SWITCH distributors if you need to. Similar to Stem and Amuse, I’m slightly wary of any investor-funded company because if they lose their investor(s) the company goes under. There is a lot that can be improved upon with their payment splitting (like the ability for the main artist account to cover the fees for everyone else and payments being split ONLY after one party has recouped all the expenses of the album. QUESTION: What does DSP stand for in music? They have a small record label and management services. TuneCore was acquired by Believe Digital a couple years ago and has become extremely corporate because of it. And many are starting to offer payment splitting (where they will pay your collaborators directly so you don’t have to deal with that headache). It’s also great that they give you the ability to download your songs. Joel assured me that they are working on this. So if your hard drive crashes, your wavs are stored in their cloud (and you can download them and get them back). I’m using the past tense because Joel told me that. Record Union artists are charged per year for every music store or streaming platform they want their track added to and take 15% of all artist royalties. CD Baby’s customer support and marketing director had been cagey about what was going on and no one could get a straight answer. Stem is investment backed – meaning that their business model hasn’t been profitable until recently. You can sign up for free to use their social data dashboard and special artist features, but then you pay to release every track. They have the ability (and the money) to help artists pop. With streamlined cover distribution and payment splitting with no additional fees, it’s solid if you distribute covers regularly and need to split up payments. You can, however, SWITCH distributors if you need to. I had received more complaints about CD Baby’s customer support in the past 7 months than I had in the past 7 years. I have distributed 30 releases to date using a few of these services. CD Baby has been around the longest. Like how ONErpm has cornered the Latin American market, UK based Horus is starting to corner the Asian market. And I explain how to do that, This review is just taking a look at companies that will get your music into digital stores and streaming services, like Spotify, Apple Music, Tidal, Amazon, Pandora, Deezer, etc and NOT about stand alone, digital download, self-managed stores, like. Well, that’s an entirely different article. Distrokid offers a much different distribution experience than Tunecore, and sells itself as being that company’s hipper, more affordable rival. Even though Emmanuel is American, ONErpm is very globally focused – namely in emerging markets. Worth noting that major record deals are typically 85/15 in the label’s favor. To be clear, CD Baby wasn’t keeping any extra money than their standard 9% commission. 1. Their reports, however, leave much to be desired. With every other distributor, this wouldn’t work because India pays so little (from Spotify), but paid so much from CD Baby. Once your release is live, you can keep track of your streams, downloads and audience daily from the app. And to support artists during the nightmare that is 2020, they are offering free distribution with 0% commission through the end of 2020. They basically just give you an excel sheet and say “good luck!”. So there’s that. It’s meant to simplify distribution for a very specific kind of creator. They (well, at the time it was just 1 dude, Philip Kaplan) had just launched and had already received praise from Derek Sivers (founder of CD Baby) and Jeff Price (founder of TuneCore and Audiam). As a company built on a tech-first (digital) philosophy, Kobalt boasts that it pays twice as fast (and finds more money – sometimes 30% more) than the major publishing companies. To clarify, Kobalt is a publishing company collecting publishing (songwriter) royalties for songwriters. And potentially upstream you (if you’re a songwriter) to Kobalt and their in-house sync services (TV, ads, film, video game placements). Stem is run by CEO and co-founder Milana Rabkin. Distrokid is a music distribution service that gets your tracks onto all the major music stores and streaming platforms. Metadata errors and mislabeling/misordering of songs on the album with it taking months to get it fixed. By far. This just means that Spotify has a financial interest in seeing DistroKid succeed and that their partnership is a bit deeper now. Soundrop was created when CD Baby took over Loudr’s distribution service back in 2017 when Loudr got out of distribution (and then was acquired by Spotify). It’s under the Universal Music Group (UMG) arm and is meant to discover emerging talent to potentially ‘upstream’ to UMG. (throwback 70s funk/soul). ONErpm has never taken investment money. This all is not a huge deal as most of the other distributors don’t offer any kind of hands on service. Songtradr is one the newest additions to this review and the music distribution game. AWAL claims to offer Spotify playlist plugging support. It has gotten much more corporate, that’s for sure. If you get accepted into that you will get much more favorable monetization rates and direct ad deals and can earn quite a bit from your YouTube. But that just means with them. and payments being split ONLY after one party has recouped all the expenses of the album. And worst of all, complaints that Ditto rips down releases and doesn’t pay their artists. Eventually, you will be able to distribute your music with one of these services and they will collect 100% of all your sound recording and composition royalties from around the world and you won’t need to worry about registering or collecting all your money elsewhere. Oh, hey! So this was probably a good move in the end (even though it left many artists out in the cold). Instead of charging up front fees, they now take 15% (like AWAL) and offer additional services (like playlist plugging, PR and advances for select clients). And the company has now grown to nearly 300 employees in offices all over world including Argentina, Columbia, Mexico, Spain, Russia, Peru, Nigeria, Nashville, Atlanta, Miami, San Francisco, NYC, and 4 offices in Brazil. Once acquired, my access to human beings got squashed and I had to go through a PR company to get answers – which took forever. They booted a significant number of artists who did not meet their earnings threshold and upped their commission from 5% to 10%. Like Stem, it had payment splitting from the very start. Pros. What’s really interesting with how Stem runs payment splitting is: all parties must approve splits before distribution. They were the first non-label company to offer ‘open to all’ distribution to iTunes back in the day. DistroKid is still a totally independent company. It’s completely unprofessional and I f*cking love it for that. Kobalt is a very forward thinking (and powerful) publishing company. 20% of their revenue comes from the DIY community (‘unsigned’ artists) and 80% of their revenue is from the label services side of their business. (where they will pay your collaborators directly so you don’t have to deal with that headache). Remember what I said about the culture and ethos of a company? CD Baby has been around the longest. They do not give hands-on attention like this to the majority of their artists. Also, they offer one of the best analytics report tools of all. In 2019, CD Baby (well, their parent company, In the most recent update of this article (10/15/2020), I revealed that. The 17th full-length studio release for Australian rock band is influenced in part by the accidental death of Nick Cave's 15-year old son in 2015 and is considered the third and final part of trilogy of albums that includes 2013's Push the Sky Away and 2016's Skeleton Tree. They claim to be great at “throwing gasoline on the fire.” AWAL doesn’t offer much in terms of personal support from the get-go, BUT if you start to catch, they can offer you marketing support (money for PR, radio plugging, etc) and pitch you to playlists. I owe my producer 20%, but ONLY after I recoup the $20K.). They offer lossless music … We offer free music distribution and let artists keep 100% of their rights and royalties. You keep 100% of your royalties, Revenue reports are clear and intelligible, No songwriter / producer credits distribution, Like how ONErpm has cornered the Latin American market, UK based, I reviewed their mastering service a bit in, RouteNote is one of the first distributors to reach. It’s worth noting that they do have some pretty huge artists, namely. The channels in their main MCN are currently getting over 300 million views a day (and they have about 20 other MCNs in the ONErpm universe – 7,000 channels globally). Well, that’s an entirely different article. They have in house sync agents and a robust music library searching system. UM is another investment backed company – which got around $70 million from investors like Alphabet Inc and 21st Century Fox. In this article, we’re going to focus on the latter. Capiche? Let your fans listen to your music on their favorite streaming platform. This market is about to explode. UnitedMasters was founded by industry big wig Steve Stoute. 5. As soon as the music stores pay out your royalties, you can also withdraw your money with one simple tap. In the most recent update of this article (10/15/2020), I revealed that CD Baby’s analytics and payment reports were inaccurate. #2 of 10 Best Music Public Relations Firms of 2019 - AMW Group provides a number of services and products to musicians and artists looking to expand their base. Here’s what you’ll need to properly distribute your music worldwide: 1. That’s the issue with companies who get into distribution after the fact – pretty steep learning curve. Worth noting that through our own efforts our music has nearly 1 million streams. Ditto is a bit like Distrokid - you pay one price a year and you’re able to upload as many songs … RouteNote is one of the first distributors to reach all of the Chinese outlets in addition to India, South Korea, Japan, Taiwan, Australia (with 193 total countries). In this video you'll find out the differences between the most popular digital music distribution services, and get the information that you need to determine which one is right for you. Complaints that the customer service is great ONLY UNTIL you pay them money, then customer service is non-existent. They were super excited about the project (throwback 70s funk/soul). All the companies have extra services and I included some of their services in their review if I thought they were great and left out some of their services if I didn’t care about them. They have said they have remedied this (only after I pointed this out). Many of their clients make beats and Beatport is a major partner for Symphonic. Upstream means that, because UMG can see all the Spinnup data they can jump on an artist that starts to catch and sign them. They entered the distribution game in June of 2017. Now, I know this is not typical. INgrooves, The Orchard and Believe are all distributors in the space that primarily work with labels. There is a commission tacked on when an advance is offered. SpinnUp delivers to 44 music stores and streaming platforms, artists keep 100% of their rights and royalties, and the top tracks uploaded from their platform are sent to the Universal Music Group A&R team, giving you a chance to be discovered and signed by their record label. I reviewed their mastering service a bit in my book. It’s worth noting, that this comparison is for standalone distributors that primarily cater to independent musicians – not labels. No ownership. No commission. Just one page to distribute your song or album. While still in Beta, you can distribute your music free of charge, but when the full platform is launched, Level will take 8% from each of your release royalties. UnitedMasters has been making waves the past couple years. Well, the co-CEO Lee Parsons did, for, asking a question about royalty collection, No commission. Tens of thousands of songs disappeared from the platform. You keep 100% of your royalties. And if you start to catch, the A&R team at ONErpm may offer you a record deal – with an advance, marketing budget and the weight of the company behind you. You retain 100% of your rights no matter who you use. 0% commission of royalties. We’re a free music distribution service that was founded in 2015 by a global team of music industry experts with a mission to give control back to artists. It originally set itself apart from CD Baby initially because it offered 0% commission (you receive 100% of your royalties), but makes its revenue by charging yearly fees (which can really add up). In 2019 when they realized that more artists did not mean better business (just more money spent with customer support and tech), they pivoted. A Spotify stream from a user in the US, paying a $9.99 subscription, will earn more than a stream from a user in the US on a family plan or using the free, ad-supported version. And I’m going to get shit for it. You have to pick one for each release. In truth, there is no one-size-fits-all music distribution company; the best digital distribution service depends on your personal or record label’s needs, wants, and priorities. Also, the next decade will be heavily focused around Asia. DistroKid’s customer support will say you can’t do certain things. And is focused around getting everyone paid their appropriate percentage (so you don’t have to deal with handling paying your collaborators). DistroKid’s customer support will say you can’t do certain things. If you need more clarification on how royalties are broken down, read Chapter 13 of How to Make It in the New Music Business. Right now specialist websites exist such as HDtracks.com and Bandcamp.com among others are a great source for getting music in the best quality audio formats. Many distributors won’t touch Beatport (their reputation for payments is iffy), but Symphonic is all-in. And sources tell me that the TuneCore offices feel the same. Long story short, the rate that Spotify paid CD Baby per stream, was not the rate that CD Baby paid out to their artists. So instead of nearly 800 rates, CD Baby decided to pay about 40 rates. Even when the sheet music publishing companies ran the business, they needed someone to print out the scores and deliver them to the stores. Read on…Amuse vs. AWAL vs. CD Baby vs. DistroKid vs. Ditto Music vs. Fresh Tunes vs. Horus Music vs. Landr vs. Octiive v... Ari Herstand is a Los Angeles based musician, the founder and CEO of Ari’s Take and the author of. It costs $15 per month ($13 for Prime members) for individuals, with family plans … I’m using the past tense because Joel told me that CD Baby switched back to the 800 (or so) rate system so what CD Baby artists get paid now is much more accurate to what Spotify indicates they should be getting paid. Our songs got included on exactly zero official Spotify playlists. I’ve tested this. ONErpm is very advanced with their YouTube monetization and have their own “Multi-channel Network” (MCN). Again, this is the music distributor I use. Ok, deep breath. There is no one way to make it in the New Music Business. Over the weekend, Spotify decided to do a major purge of songs they believe had 'fraudulent streams.' So for the past few months we at Ari’s Take have been learning everything we could about these 19 companies. They more than make up for their lack of high end features by being flexible in switching between plans. 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